SELECTED SOLO and TWO-PERSON EXHIBITIONS
| 2015 |
Air to Ground Ruiz Healy Art, San Antonio, Texas (catalog) |
| 2012 |
(Re)Turn Blue Star Contemporary Art, San Antonio, Texas |
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Constance Lowe: Leap Year Ruiz Healy Art, San Antonio, Texas |
| 2008 |
Equivocal Topographies Richard Hill Rogers Gallery, Southwest School of Art, San Antonio, Texas (catalog) |
| 2006 |
nether land Widener Gallery, Trinity College, Hartford, Connecticut (brochure) |
| 2005 |
Constance Lowe: Graft cactus bra SPACE, San Antonio, Texas |
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Constance Lowe Thomas Barry Fine Arts, Minneapolis, Minnesota |
| 2004 |
Double Vision: Alicia Beach and Constance Lowe Phoenix Art Museum, Phoenix, Arizona (catalog) |
| 2000 |
NoworNever The Project Room, San Antonio, Texas |
| 1999 |
striking likeness University of North Texas Art Gallery, Denton, Texas |
| 1998 |
Colony Thomas Barry Fine Arts, Minneapolis, Minnesota |
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striking likeness “New Works 98.1: Tadashi Kawamata, Glenn Ligon, Constance Lowe,” International Artist in Residency Program, ArtPace, San Antonio, Texas (brochure) |
| 1996 |
Blankets, Furniture, Painting 1993-96 Forum for Contemporary Art, St. Louis, Missouri (brochure) |
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Control of Appearances Galveston Arts Center, Galveston, Texas |
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New Material Milagros Contemporary Art, San Antonio, Texas |
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Appetite for System and Recent Drawings Laredo Community College, Laredo, Texas |
| 1995 |
Appetite for System I Space Gallery, Chicago, Illinois (brochure) |
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Selected Works from “Appetite for System” Thomas Barry Fine Arts, Minneapolis, Minnesota |
| 1994 |
Appetite for System Rrose Amarillo Exhibition Space, San Antonio, Texas (brochure) |
| 1990 |
Constance Lowe and Robert Michael Smith: Recent Work Anderson and Anderson Gallery, Minneapolis, Minnesota |
| 1989 |
Paintings/Objects ARC Gallery, Chicago, Illinois |
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Submerged Circuitry: Virginia Bradley and Constance Lowe Minnesota Artists Exhibition Program, Minneapolis Institute of Art, Minneapolis, Minnesota (brochure) |
SELECTED GROUP EXHIBITIONS
| 2016 |
Straight from San Antonio Galería Karen Huber, Mexico City |
| 2015 |
Ruiz Healy Art at INK Miami Art Fair, Miami, Florida |
| 2014 |
Ruiz Healy Art at INK Miami Art Fair, Miami, Florida |
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Sky’s the Limit Bank of America Central Lobby, Houston, Texas |
| 2013 |
Collective Reflection Ruiz Healy Art, San Antonio, Texas |
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Continuous Change Ruiz Healy Art, San Antonio, Texas |
| 2012 |
The Long View David Shelton Gallery, San Antonio, Texas |
| 2011 |
San Antonio Draws McNay Art Museum, San Antonio |
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Ruiz Healy Art at the Dallas Art Fair, Dallas, Texas |
| 2010 |
Psychedelic: Optical and Visionary Art Since the 1960’s San Antonio Museum of Art, San Antonio, Texas (publication) |
| 2008 |
Summer Invitational Thomas Barry Fine Arts, Minneapolis, Minnesota |
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Abstraction Ruiz Healy Art, San Antonio, Texas |
| 2007 |
All in an Afternoon: Contemporary Drawing Monash University, Caulfield, Australia |
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Visual Directions: Texas Craighead-Green Gallery, Dallas, Texas |
| 2006 |
Blur. Contemporary Quarterly #3 virtual exhibition at www.contemporaryquarterly.com (printed catalog) |
| 2005 |
Nice to Meet You Mark Moore Gallery, Santa Monica, California |
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Construct: Disclose Southern Space Project, San Antonio, Texas |
| 2004 |
The Stray Show, Chicago, Illinois Cactus Bra Space, San Antonio |
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H20: Considering the Hydrosphere Southwest School of Art and Craft, San Antonio, Texas |
| 2002 |
Drawing in San Antonio McNay Art Museum, San Antonio, Texas |
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Easy as 1,2,3 RC Gallery, San Antonio, Texas |
| 2002 |
Blue Star Past and Future Blue Star Art Space, San Antonio, Texas |
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Texas Dialogues: Scenic Overlook Blue Star Art Space, San Antonio, Texas |
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Neo Rococo University of Texas at San Antonio Art Gallery |
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Departure/Return Meadows Museum, Southern Methodist University, Dallas, Texas |
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Central Texas Survey Houston Sculpture 2000 (in conjunction with the International Sculpture Conference) Houston, Texas |
| 1998 |
A Cool Show (abstract paintings) Arlington Museum of Art, Arlington, Texas |
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Collective Visions San Antonio Museum of Art, San Antonio, Texas |
| 1998 |
Constance Lowe, Al Souza, and Dan Sutherland Fostick-Nelson Gallery, New York State College of Ceramics at Alfred University, Alfred, New York and Ithaca College, Ithaca, New York |
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a posteriori charlieuniformtango, Dallas, Texas |
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Black Eye Visual Arts and Technology Gallery, San Antonio College, San Antonio, Texas |
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Ars Botanica Austin College, Sherman, Texas |
| 1997 |
Revelation Dallas Visual Art Center, Dallas, Texas (catalog) |
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2nd Texas Annual Exhibition Contemporary Art Center of Ft. Worth, Texas |
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ABC Exhibition (Advisory Board Chooses) Diverse Works, Houston, Texas |
| 1995 |
Blue Star Ten. Blue Star Art Space, San Antonio, Texas |
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Made in San Antonio Dowd Art Gallery, State University of New York College at Cortland |
| 1994 |
Accumulated Evidence: Drawings by Jesse Amado, Meg Langhorne, Constance Lowe and Dan Sutherland Visual Arts & Technology Gallery, San Antonio College. San Antonio, Texas |
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Invitational Sculpture Exhibition Trinity University, San Antonio, Texas |
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Putting It On Paper McNay Art Museum, San Antonio, Texas |
| 1992 |
Blue Star Seven (+7) Blue Star Art Space, San Antonio, Texas |
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Six Yaddo Artists Smithtown Township Arts Council, St. James, New York |
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Baja Tejas: South Texas Artists - Works on Paper Peruvian/American Cultural Institute, Lima (Miraflores), Peru |
| 1990 |
Working on Paper: Contemporary American Drawings High Museum at Georgia-Pacific Center, Atlanta, Georgia (catalog) |
GRANTS AND AWARDS
| 2007 |
Artist Foundation of San Antonio, Visual Arts Award |
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Faculty Research Development Leave, University of Texas at San Antonio |
| 2003 |
ArtPace Travel Grant (for travel in Italy) |
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Faculty Research Award. University of Texas at San Antonio (also 2000, 1996, 1991) |
| 1998 |
Residency. International Artist in Residence Program, ArtPace |
| 1997 |
Faculty Research Development Leave, University of Texas at San Antonio |
| 1996 |
President’s Distinguished Award for Creative Achievement, University of Texas at San Antonio |
| 1991 |
Resident Fellow at Yaddo, Saratoga Springs, New York |
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Minnesota State Arts Board Career Opportunity Grant |
| 1988 |
Arts Midwest/National Endowment for the Arts Artist’s Fellowship for works on paper |
CURATORIAL PROJECTS
| 2011 |
Magnetic Fields (Barbara Kreft, Richard Martinez, Kim Owens, and Dan Sutherland) Russell Hill Rogers Gallery, Southwest School of Art, San Antonio, Texas (brochure) |
| 2000 |
Edible Material: Paul Kittelson and Robert Ziebell UTSA Satellite Space, San Antonio, Texas |
| 1997 |
Picture Play: Seven Texas Painters University Art Gallery, University of Texas at San Antonio, Texas |
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Surface Tensions Blue Star Art Space, San Antonio, Texas (brochure) |
| 1994 |
Accumulated Evidence: Drawings by Jesse Amado, Meg Langhorne, Constance Lowe and Dan Sutherland Visual Arts & Technology Gallery, San Antonio College, San Antonio, Texas |
PUBLICATIONS
Magnetic Fields gallery brochure, Southwest School of Art, San Antonio, Texas 2011
“In and Out of Bounds” ArtLies, (feature article and cover illustration) October 2003
Surface Tensions, brochure essay, Blue Star Art Space, San Antonio, Texas 1997
BIBLIOGRAPHY
Book
Rubin, David (curator), Robert C. Morgan, and Daniel Pinchbeck Psychedelic: Optical and Visionary Art Since the 1960’s. San Antonio Museum of Art in association with the MIT Press (Cambridge, Massachusetts and London, England) 2010
Solo Exhibition Brochures and Catalogs
Arning, Bill. striking likeness ArtPace, San Antonio 1998
Colpitt, Frances. Double Vision Phoenix Art Museum 2004
Appetite for System. Rrose Amarillo, San Antonio 1994
Hearst, Alison Air to Ground Ruiz Healy Art 2015
Ryan, Dinah. Equivocal Topographies Southwest School of Art, San Antonio 2008
Spector, Buzz. “Odd Objects/of Desire” Appetite for System I Space Gallery, Chicago 1995
Watkin, Mel Blankets, Furniture, Painting 1993-96 Forum for Contemporary Art, St. Louis 1996
Whitney, Kathleen. “Characteristics of the Fantastic”, nether land Widener Gallery, Trinity College, Hartford 2006
Selected Exhibition Reviews
Colpitt, Frances. “Contemporary Art Month, San Antonio, Texas” CIRCA Fall 1995, p.43 (illustration)
Connors, Thomas. “Chicago (Damien Hirst, Nancy Rubins, Constance Lowe)” Sculpture
July/August 1995, p.45 9 (illustration)
Freeman, David McCall. “Collective Visions: San Antonio Museum of Art”, Artlies, Fall 1998 (illustration)
Goddard, Dan. “Striking Visions: ‘New Works’ Begins a New Year at ArtPace”, San Antonio Express-News, April 8, 1998 (illustration)
Keren, Jackie. “Constance Lowe” Nether Land”, Art New England June/July 2006 p. 22 (illustration)
Kutner, Janet. “Constance Lowe at UNT”, Dallas Morning News, June 18, 1999 (illustration)
Landi, Ann. “The Ecstatic Esthetic” Art News, March 2010 (illustration)
Rushing, W. Jackson. “Permanent Impermanence or The Paradox of Sculpture”, Sculpture October 2000, p. 74 (illustration only)
Tiredo, Michelle. “Constance Lowe at I Space” New Art Examiner May 1995, p.48 (illustration)
Features
Kastner, Jeffrey. Obscure Objects of Desire. Artpaper , No. 4 December 1990, p. 16
Roth, Nancy. Submerged Circuitry. Arts (Minneapolis Institute of Art) December 1990, p. 8
PUBLIC COLLECTIONS
Harland Clarke Holdings, San Antonio, Texas
San Antonio Museum of Art
University of Central Florida, Orlando
University Health System, San Antonio, Texas
CE Group, San Antonio, Texas
University of Texas at San Antonio
South Texas Blood and Tissue Center, San Antonio, Texas
First National Bank of South Texas, San Antonio, Texas
Matthews and Branscomb, San Antonio, Texas
North Shore Bank of Commerce, Duluth, Minnesota
Willmar Community College, Willmar, Minnesota (State of Minnesota Percent for Art Purchase)
Eastern Illinois University, Charleston, Illinois (State of Illinois Percent for Art Purchase)
EDUCATION
MFA 1979 Western Michigan University, Kalamazoo (painting)
BFA 1973 Southern Methodist University, Dallas, Texas (graphic design/painting)
1986-1987 University of Minnesota, Minneapolis (studies in culture theory and criticism)
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